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75.046.3 --- Christian art and symbolism --- Christian saints in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Religie in de schilderkunst. Heiligenbeelden --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- saints --- Christian special devotions --- iconography --- Iconography --- Christianity: persons
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Iconography --- anno 500-1499 --- Art, Medieval --- Civilization, Medieval --- Christian art and symbolism --- Art médiéval --- Civilisation médiévale --- Art et symbolisme chrétiens --- -7.046 --- 091.31:7.04 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Art médiéval --- Civilisation médiévale --- Art et symbolisme chrétiens --- 7.046 --- Christian art and symbolism - Medieval, 500-1500. --- Iconographie --- Moyen Age --- EUROPE --- VISION --- ICONOGRAPHIE --- HISTOIRE CULTURELLE --- MOYEN AGE --- HISTOIRE
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Throughout the Middle Ages, John the Evangelist, identified as the author of both the Book of Revelation and the most profound and theologically informed of the four Gospels, provided monks and nuns with a figure of inspiration and an exemplar of vision and virginity. Rather than the historical apostle, this book's protagonist is a persona of the Evangelist established in theology, the liturgy, and devotional practice: the model mystic, who, by virtue of his penetrating insight, was seen as having become a mirror image of Christ. In 'St. John the Divine, 'Jeffrey Hamburger identifies a remarkable set of images from the ninth to the fifteenth centuries that identify the inspired Evangelist so closely with the deity that he appears as his living image and embodiment. Hamburger explores the ways these representations of St. John in the guise of Christ elucidate the significance of images as such in medieval theology and mysticism. Above all, he shows how these artworks, presented together for the first time, epitomize the relationship between the visible and the invisible: between ideas, however abstract, and the concrete images that medieval Christians confronted face-to-face.
Christian theology --- Iconography --- John [Evangelist] --- anno 500-1499 --- Europe --- Christian art and symbolism --- Art et symbolisme chrétiens --- John, --- 226.5 --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Evangelie volgens Johannes --- John the Apostle, Saint --- -Evangelie volgens Johannes --- Art et symbolisme chrétiens --- Giovanni, --- Hovhannēs, --- Ioann, --- Jan, --- Jean, --- Jehan, --- Johannes, --- Yūḥannā, --- Beloved Disciple --- John --- Medieval, 500-1500 --- Middle Ages, 500-1500
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pilgrimages --- pilgrimage centers --- Art --- Mary [s.] --- Montaigu --- Christian special devotions --- Christian art and symbolism --- Church architecture --- C3 --- #gsdbLOV --- 248.153.8 <493 SCHERPENHEUVEL> --- 726.6 --- -Church architecture --- -#A0303A --- bedevaarten --- Scherpenheuvel [deelgemeente in gemeente Scherpenheuvel-Zichem - BE] --- Mariadevotie --- iconografisch materiaal --- 921 Cultuurgeschiedenis --- #GGSB: Volksreligie (volksreligiositeit / devotie) --- #GGSB: Mariologie --- Ecclesiastical architecture --- Rood-lofts --- Religious architecture --- Architecture, Gothic --- Church buildings --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Kunst en cultuur --- Bedevaarten. Pelgrimstochten--(algemeen)--België--SCHERPENHEUVEL --- Kathedralen. Domkerken --- 726.6 Kathedralen. Domkerken --- 248.153.8 <493 SCHERPENHEUVEL> Bedevaarten. Pelgrimstochten--(algemeen)--België--SCHERPENHEUVEL --- Scherpenheuvel --- #A0303A --- Religious art --- Scherpenheuvel (Belgium) --- Scherpenheuvel, Belgium --- Aspricollis (Belgium) --- Montaigu (Belgium) --- Mont-aigu (Belgium) --- Church history. --- Scherpenheuvel (België) --- History --- Symbolism in art --- 245.2 --- Bedevaarten; Scherpenheuvel-Zichem --- Scherpenheuvel-Zichem; geschiedenis --- Bedevaarten--Scherpenheuvel-Zichem --- Scherpenheuvel-Zichem--geschiedenis --- Mariologie --- Volksreligie (volksreligiositeit / devotie) --- Christian art and symbolism - Belgium - Scherpenheuvel - Modern period, 1500 --- -Church architecture - Belgium - Scherpenheuvel. --- geschiedenis --- MARIE, SAINTE VIERGE --- CULTE --- 16E-17E SIECLES
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